Year: 2015
Director: Brian Helgeland
Screenplay: Brian Helgeland
Starring: Tom Hardy, Emily Browning, David Thewlis, Duffy, Christopher
Ecclestone, Chazz Palminteri
Synopsis is here
Emily Browning has recently spoken out about the discrepancy
in women's roles in comparison to Mens. The actress rightly questions why we
see so many flat female characters who don't "act like
human beings" and has called for female roles with greater autonomy
and there's many out there who would wholeheartedly agree. However, in
watching Browning's one note portrayal of Frances Shea; tragic wife of Reggie
Kray, in Legend, one may have to search elsewhere for
the thorough portrayals that the actress yearns for.
It's easy to slight Browning's performance. From the dubious cockney
accent to the horridly dry narration that flutters in and out of the film,
but it's not the actress's fault, although she has been better. There's a
feeling that the material has left her out to dry somewhat. Browning may be
riling against the vapid "hot babe" model that we witness constantly
in films, but her performance has Frances never really shifts a gear. She looks glamourous when
she has to be, and distressed when she doesn't have to look good. Browning
narrates the film in order for the audience to see it from her point of
view. However the screenplay by writer/director Brian Helgeland is a
rather sour piece that's more interested in informing us rather than feeling
anything. Constantly the film will joylessly tell us what's on screen
rather than allowing the audience to infer for themselves via the camera
or performances. It jars with the films already bumpy rhythms. Instead of
seeing Browning emote fully, the voice over is quick to tell us how to
feel.
Browning, as well as much of the top quality cast, is pushed to the
edges by a dominating Tom Hardy, who holds dual roles as both the infamous
Kray twins, Reggie and Ronnie. This is a showcase for the charismatic actor who
takes what could have been a cheap gimmick (it uses some Social Network style
image trickery) and puts forth two remarkable displays. Reggie has the cocksure
swagger, while Ronnie is clouded by intense paranoia. The beauty of Hardy's
performances are in the small details and differences. Even the poise
and murmurs from either brother is vastly different. In terms of performance it
always feels like you're watching two different people.
Mentioning Tom Hardy's superlative displays, only makes the rest of the
film pale even more in comparison. Minus Hardy, and Legend is a
rather listless affair. Much like how the brothers hid their brutal crimes
around a veneer of celebrity, the film does a great job of hiding a lot of
the nastiness that ensued. Legend enjoys claiming that it's coming
from the eyes of those who knew the brothers, but the film often seems so
preoccupied with infusing a Goodfellas-lite charm to the brothers, that it
forgets just how well the best gangster films balance the ugliness with the
romance. Helgeland clearly has certain cinematic influences on his mind in his visualisation of
this, and the film holds enough humour and brutality that may appease
casual gangster fans. However, for the most part, Legend is over egged,
overlong and lacks the kind of energy that would make it stand out in a line
up.