Year: 2013
Director: Sam Rami
Screenplay: David Lindsay-Abaire, Mitchell Kapner
Starring: James Franco, Mila Kunis, Rachel Weisz, Michelle Williams, Zack Braff
Synopsis is here:
I love those moments of spectacle in a film which give off that feeling of wonder. There's nothing I like more than being carried away by a movie moment. An instant when I can forget about the how and the why and I'm just there with the character. The magic takes me and I'm no longer "just watching a movie". Pretentious? Perhaps, but that's just me. Like music, I enjoy being whipped up in the emotion of it all.
Here are two examples of such moments for me:
• When Peter Parker learns how to Web Sling in Sam Rami's Spider-Man (2002)
• When Dorothy finds herself in the Land of Oz in the 1939 film; The Wizard of Oz
I'll happily spew hyperbole about the joy of watching those moments. All big film fans have them and these are just two of mine. Moments that capture a certain "magic".
In an event of serendipity these two scenes are now bizarrely bound together, with Rami now directing Oz: The Great and Powerful, a prequel to the aforementioned Wizard of Oz based on the characters and situations from the introductory book The Wonderful Wizard of Oz by L. Frank Baum.
We all know of the old adage if it's not broke, don't fix it. Such a quote applies heavily to a film like Oz: The Great and Powerful, for a matter of reasons. It should surprise no one that Disney is the studio behind the film and that the producers are the same guys who undertook Tim Burton's Alice in Wonderland (2010). So it also shouldn't shock you that the film has no surprises.
From a narrative standpoint; Oz follows Burton's risible re-imagining almost beat for beat with little to no diversity and in this day and age, why not? If you have a movie that made over a billion dollars worldwide why muck around with the blue print? However, Rami, his screenwriters and cinematographer Peter Deming manage to infuse the feature with stronger humour, visual appeal and a tad more emotion. Despite being quite forgettable (it's only been a day and I'm struggling to remember the film), Oz manages to be sweet enough but not saccharine sickly.
Despite Rami seemingly being under orders to imitate another filmmaker (seriously check out the Danny Elfman score and Weisz's Helena Bonham Carter impression). The film is weighed down enough by an offbeat and amusingly smarmy turn from Johnny Dep...I mean James Franco. Meanwhile Michelle Williams is pleasant enough to drown out Mila Kunis. Kunis; usually a fun actress to watch is miscast in a role that may have needed someone with further range.
The main problem with Oz is quite simply nothing reaches the same dizzying peaks as the glorious sequences I mentioned and enjoyed before. Despite it's sweet nature, there's a distinct whiff of cynicism that wafts over many aspects of this venture of Oz. It's important to remember while the 1939 version of Oz and Rami's own Spider-Man were made to make money, they feature moments which break past that fact for someone like me. Oz the film is a little like Oz the man, an amusing aside, but a bit of a con.
Showing posts with label alice in wonderland. Show all posts
Showing posts with label alice in wonderland. Show all posts
Friday, 22 March 2013
Sunday, 7 March 2010
Review: Alice In Wonderland
Year: 2010
Director: Tim Burton
Screenplay: Linda Woolverton
Starring: Mia Wasikowska, Johnny Depp, Helena Bohnam Carter, Anne Hathaway, Crispin Glover, Stephen Fry, Barbra Windsor, Alan Rickman, Micheal Sheen, Matt Lucas, Paul Whithouse
Ploy Synopsis is here
For me, Tim Burton's Alice in Wonderland is much like his Charlie and the Chocolate Factory; the film lacks focus. The script is patchy, the main character is relegated to background for various reasons and emotional response is minimal. Once again Burton is more interested in bulking up the background of the "oddballs" than giving the lead character and the story the drive that the film truly needs.
In addition to this, the visual aspect of Burton's work is weak. There's an over reliance of CGI and Green screen that really effected my enjoyment of the world. In comparison to the wonderful balance of CGI imagination and real world that Terry Gilliam managed with The Imaginium of Doctor Parnassus and I found that visually, Wonderland suffers. Not that we're allowed to see that much of it anyway. Once we enter Wonderland we are never given a full experience of actual Wonderment that is really needed to be effective. Alice falls down the rabbit hole having forgotten her original adventure (a bad piece of plotting) but doesn't seem to give much of a damn of how bizarre this world is, something that The Blue Movie (for it's faults) got right.
But then again the film doesn't appear to be really about Alice in Wonderland. No it's more about the Mad Hatter in Mordor (Wonderland nabs quite a bit from middle earth in looks) or The Red Queen's sibling rivalry with the White Queen. Mia Wasikowska is a blank slate and remains that way throughout the entire film. Yes, she bookends the film's story, however her "realizations" at the end of the film come of a little more than a bit of a cheat. Is Wasikowska a bad actress? Maybe. But this film isn't the one to judge her because she has nothing to do and no characterization to grab hold of. But this was the same in CHARLIE and chocolate factory in which Burton and his screenwriter decided that Willy Wonka is clearly the focus of the film and not the titular character.
So once again the film relies on the viewers affection for Johnny Depp more than anything to hold your attention. It's a shame that my love for him is waning. This is not because Depp is a bad actor or bad in this (in fact he's one of the more appealing aspects of the film). But it's because that the more "off key" the Depp performance is the plainer it now seems to become. Depp by numbers is the term I'd use. I doubt we will see a subtle performance from him anytime soon.
It's been quite a while since the movie and I'm still wondering in the point of Anne Hathaway being in the role she was in. I like what she did with the part, but she had to do something to make such needless character interesting. The same goes for Crispin Glover as the Knave of Hearts. The standout is of course Burton's wife Helena Bonham Carter, who, nepotism or not gives a devilishly delicious display (say it quickly) as The Red Queen. Yes, her character traits are from the queen of hearts but give her some credit!
The problem is there's not enough of Carter's energy to go around. It's that kind of verve that was needed to push the films flimsy plot forward. Once again Burton has mentioned of his dislike of the source material (RE: Batman, comics) but the changes agreed with himself and others in the production are more frustrating than anything else. Many of the films set pieces are quite dull, and the films pace is a plodding one, which wouldn't be a problem if Alice wanted to explore such a dream world. May I also add that the 3d element is clearly an after thought and not only takes away some of the films sorely needed colour but adds no depth of immersion to the proceedings but please...like I enjoy the idea of 3D...
On the whole Alice in Wonderland is yet another dreary adaptation of a famous work that lacks the heart found in Big Fish nor the inventiveness of his earlier works. I'm there's enough Johnny and art direction for the die hard fans, but those looking for a dark look at a classic fairy tale may find the whole thing a bit soulless.
Note: Burton's latest achievement in Depp and Set Design is breaking a few Box Office records but hey, just because 50 Cent sold $12 Million on get rich or die tryin doesn't mean I have to think he's a great rapper.
Director: Tim Burton
Screenplay: Linda Woolverton
Starring: Mia Wasikowska, Johnny Depp, Helena Bohnam Carter, Anne Hathaway, Crispin Glover, Stephen Fry, Barbra Windsor, Alan Rickman, Micheal Sheen, Matt Lucas, Paul Whithouse
Ploy Synopsis is here
For me, Tim Burton's Alice in Wonderland is much like his Charlie and the Chocolate Factory; the film lacks focus. The script is patchy, the main character is relegated to background for various reasons and emotional response is minimal. Once again Burton is more interested in bulking up the background of the "oddballs" than giving the lead character and the story the drive that the film truly needs.
In addition to this, the visual aspect of Burton's work is weak. There's an over reliance of CGI and Green screen that really effected my enjoyment of the world. In comparison to the wonderful balance of CGI imagination and real world that Terry Gilliam managed with The Imaginium of Doctor Parnassus and I found that visually, Wonderland suffers. Not that we're allowed to see that much of it anyway. Once we enter Wonderland we are never given a full experience of actual Wonderment that is really needed to be effective. Alice falls down the rabbit hole having forgotten her original adventure (a bad piece of plotting) but doesn't seem to give much of a damn of how bizarre this world is, something that The Blue Movie (for it's faults) got right.
But then again the film doesn't appear to be really about Alice in Wonderland. No it's more about the Mad Hatter in Mordor (Wonderland nabs quite a bit from middle earth in looks) or The Red Queen's sibling rivalry with the White Queen. Mia Wasikowska is a blank slate and remains that way throughout the entire film. Yes, she bookends the film's story, however her "realizations" at the end of the film come of a little more than a bit of a cheat. Is Wasikowska a bad actress? Maybe. But this film isn't the one to judge her because she has nothing to do and no characterization to grab hold of. But this was the same in CHARLIE and chocolate factory in which Burton and his screenwriter decided that Willy Wonka is clearly the focus of the film and not the titular character.
So once again the film relies on the viewers affection for Johnny Depp more than anything to hold your attention. It's a shame that my love for him is waning. This is not because Depp is a bad actor or bad in this (in fact he's one of the more appealing aspects of the film). But it's because that the more "off key" the Depp performance is the plainer it now seems to become. Depp by numbers is the term I'd use. I doubt we will see a subtle performance from him anytime soon.
It's been quite a while since the movie and I'm still wondering in the point of Anne Hathaway being in the role she was in. I like what she did with the part, but she had to do something to make such needless character interesting. The same goes for Crispin Glover as the Knave of Hearts. The standout is of course Burton's wife Helena Bonham Carter, who, nepotism or not gives a devilishly delicious display (say it quickly) as The Red Queen. Yes, her character traits are from the queen of hearts but give her some credit!
The problem is there's not enough of Carter's energy to go around. It's that kind of verve that was needed to push the films flimsy plot forward. Once again Burton has mentioned of his dislike of the source material (RE: Batman, comics) but the changes agreed with himself and others in the production are more frustrating than anything else. Many of the films set pieces are quite dull, and the films pace is a plodding one, which wouldn't be a problem if Alice wanted to explore such a dream world. May I also add that the 3d element is clearly an after thought and not only takes away some of the films sorely needed colour but adds no depth of immersion to the proceedings but please...like I enjoy the idea of 3D...
On the whole Alice in Wonderland is yet another dreary adaptation of a famous work that lacks the heart found in Big Fish nor the inventiveness of his earlier works. I'm there's enough Johnny and art direction for the die hard fans, but those looking for a dark look at a classic fairy tale may find the whole thing a bit soulless.
Note: Burton's latest achievement in Depp and Set Design is breaking a few Box Office records but hey, just because 50 Cent sold $12 Million on get rich or die tryin doesn't mean I have to think he's a great rapper.
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