Year: 2009
Director: Ken Kwapis
Screenplay: Abby Kohn & Marc Silverstein
Starring: Ginnifer Goodwin, Jennifer Aniston, Jennifer Connelly, Scarlett Johansson, Drew Barrymore, Ben Affleck, Bradley Cooper, Justin Long, Kevin Connolly, Kris Kristofferson
He's just not that into you is based on a non-fictional self-help book, however by the end of the film I swear the books title must have been the big book of fairy tales. I've seen Friends of mine have checked this film out and sworn the valid oath of truth upon it. Hell, my girlfriend didn't want me to watch it due to the fact that "it shows why women are all crazy".
Some the film brings up some interesting points of dating and relationships that could spark some fun debate (One character sums up some aspects of the young female thought process that ring very true. However, the film can't help but leave one foot lodged in a dream world. The worst thing is, it believes that the audience should believe it too. This is a film which states that women are conditioned to be nuts, but that's fine, because as long as they believe that life will fit into a neat little package...it will happen.
As a romantic comedy, it fails because it's not as funny as it should be. It fairs better as a romantic drama but loses it's way near the end as it believes that even unjustified moments of closure should be possible. It's irritating when a character believes in something strongly throughout a film, only to give up their belief because of some unnatural reason, or when a character gets a magical fairytale ending which just doesn't ring true but this film has them.
This is probably due to the huge amount of characters the film has to spend time with. Ensemble pieces are always tricky beasts and unfortunately director Ken Kwapis buckles under the pressure. So many characters, so many noticeable faces but so little focus, it's no surprise that the best narrative strands are the ones which have a little more time to breathe. With this said, even with so much going on, the screenplay is fully on point with a few aspects of the modern dating. The film touches on modern communication destroying the simple art of courting and even takes the slightest of glances at the idea of non married couples living happily together. Unfortunately any true insight is ignored in order to stay away from "troublesome" grey areas.
Surprisingly the stories that work well don't have the best performances in them. Ginnifer Goodwin is wonderfully sweet as the luckless wonder of love, while Justin Long is slowly building himself to be a reliable character actor as is Kevin Connolly (despite the role is just him being E) . Others aren't so lucky; Bradley Cooper is plain, Jennifer Anstion's only good film role is still The Good Girl, Scarlett Johanssonis woefully miscast, while Jennifer Connelly just needed more to do. Drew Barrymore, Luiz Guzman and Kris Kristofferson are also in this, but for no other reasons other than fill space*.
He's just not that into you is a weak entry into a very packed genre of movie. I can understand why my girlfriend didn't want me to see this as it did still show females as the bizarre enigma they are. It's a shame it did nothing to help me understand them anymore than usual. She should have stopped me from watching it however as it does have Scarlett Johansson looking stunning so I guess there a small piece of cash back.
*Note: Notice i didn't mention Ben Affleck in this? That's because it's Ben Affleck....take that how you will.
Tuesday, 21 July 2009
Sunday, 19 July 2009
Review: Harry Potter and the Half Blood Prince
Year: 2009
Director: David Yates
Screenplay: Steve Kloves
Starring: You should all know by now.
I've never been surprised that middle England loves Harry Potter. To me Rowling's Saga is full of so much pompous elitism that if you were to replace the word magic with money in the books and you'd have a public school love in that would have Enid Blyton dibbling with approval. I unfortunately have not enjoyed them. I've found Potter to be quite dull. OMG!1111!! BLASPHEMY I hear someone cry. Not really. I just don't share the same opinion as others, and before anyone comments about how my OPINION is wrong, at least I tried to get into these books (many times) unlike others who derided it without reading a page (and there's many who do that).
So it's nice to watch something like HP6 (I am not writing bloody half blood prince every time) and enjoying the affair for the most part. I've got issues with it but it's a solid family film with an actual plot (take THAT revenge of the fallen) and some well crafted moments.
I'll start with the good then shall I? One of my main problems I've had in the past is that Potter himself to be a very empty vessel. Hailed as this chosen child, the charmless weed seems to merely ride his luck though everything that happens to him. Daniel Radcliffe's wooden performances have never helped change my view of this and I've just never got on with why this puppet is so special. HP6 changes that by giving him a stronger dramatic arc i had to wait until the end of the film but it's finally there. I'm now more interested in where they will take the Harry in the final film and here's why:
The film's pivotal moment which has been changed from the book. I'm sure there's only like 5 people that don't know what happens but I will respect people by not mentioning the event. Knowing what happens in the book and seeing what happens here as strengthens the arc for me given me something to grab on to and that is guilt. It's given him that little bit of drive that a cynical bastard like me can work with.
But it's not only the improvement of the character I liked, it was also the improvement of the young performances. With the main cast growing up and moving on to other projects, their displays are not as stiff. There's still a lot of awkwardness but now it's are combined with some nice understated moments which work. Because these polished touches I'm not just waiting for the old guard actors to get on screen and show them how it's done. I watching because I'm invested in what happens. I can't say that for other adaptations (here's looking at you Twilight).
Like the other movies, HP6 is visually interesting and Yate directs some involving set pieces, including a stunning cornfield sequence which to me is one of the best moments in all this years summer blockbusters. Due to the huge amount of plot (and teen angst) the film struggles in terms of pacing but even the films drier moments are watchable.
Of course being the arsehole I am, I can't like everything and HP6 doesn't escape my inane criticism. The films romantic sub-plots are hit and miss, and at certain points the angst is so unbelievably vomit inducing that I was quite happy I was near the aisle. Harry potter will also never get rid of that elitist superiority complex that had turned me off many of the other entries (if you didn't/don't go to Private school then your not special), however, in a lackluster summer blockbuster season, HP6 could have been a hell a lot worse.
Note: Another quidditch game? You gotta be fucking kidding me.
Listen to the podcast review here
Director: David Yates
Screenplay: Steve Kloves
Starring: You should all know by now.
I've never been surprised that middle England loves Harry Potter. To me Rowling's Saga is full of so much pompous elitism that if you were to replace the word magic with money in the books and you'd have a public school love in that would have Enid Blyton dibbling with approval. I unfortunately have not enjoyed them. I've found Potter to be quite dull. OMG!1111!! BLASPHEMY I hear someone cry. Not really. I just don't share the same opinion as others, and before anyone comments about how my OPINION is wrong, at least I tried to get into these books (many times) unlike others who derided it without reading a page (and there's many who do that).
So it's nice to watch something like HP6 (I am not writing bloody half blood prince every time) and enjoying the affair for the most part. I've got issues with it but it's a solid family film with an actual plot (take THAT revenge of the fallen) and some well crafted moments.
I'll start with the good then shall I? One of my main problems I've had in the past is that Potter himself to be a very empty vessel. Hailed as this chosen child, the charmless weed seems to merely ride his luck though everything that happens to him. Daniel Radcliffe's wooden performances have never helped change my view of this and I've just never got on with why this puppet is so special. HP6 changes that by giving him a stronger dramatic arc i had to wait until the end of the film but it's finally there. I'm now more interested in where they will take the Harry in the final film and here's why:
The film's pivotal moment which has been changed from the book. I'm sure there's only like 5 people that don't know what happens but I will respect people by not mentioning the event. Knowing what happens in the book and seeing what happens here as strengthens the arc for me given me something to grab on to and that is guilt. It's given him that little bit of drive that a cynical bastard like me can work with.
But it's not only the improvement of the character I liked, it was also the improvement of the young performances. With the main cast growing up and moving on to other projects, their displays are not as stiff. There's still a lot of awkwardness but now it's are combined with some nice understated moments which work. Because these polished touches I'm not just waiting for the old guard actors to get on screen and show them how it's done. I watching because I'm invested in what happens. I can't say that for other adaptations (here's looking at you Twilight).
Like the other movies, HP6 is visually interesting and Yate directs some involving set pieces, including a stunning cornfield sequence which to me is one of the best moments in all this years summer blockbusters. Due to the huge amount of plot (and teen angst) the film struggles in terms of pacing but even the films drier moments are watchable.
Of course being the arsehole I am, I can't like everything and HP6 doesn't escape my inane criticism. The films romantic sub-plots are hit and miss, and at certain points the angst is so unbelievably vomit inducing that I was quite happy I was near the aisle. Harry potter will also never get rid of that elitist superiority complex that had turned me off many of the other entries (if you didn't/don't go to Private school then your not special), however, in a lackluster summer blockbuster season, HP6 could have been a hell a lot worse.
Note: Another quidditch game? You gotta be fucking kidding me.
Listen to the podcast review here
Monday, 13 July 2009
Talking about film
Fan of the afrofilmviewer blog site can listening to my immature views on films on your ipod!
I now talk crap about films at www.geekplanetonline.com!
It's a weekly podcast (updated every wednesday) in which me and another film junkie named Iain Boulton talk about the latest releases, what we've watched and the top ten.
To find it either visit www.geekplanetonline.com and go to the link "at the movies" or jump on Itunes and search for: Geekplanet or At the movies there.
Subscribe and I'll love you for it!
The more support the better!
I now talk crap about films at www.geekplanetonline.com!
It's a weekly podcast (updated every wednesday) in which me and another film junkie named Iain Boulton talk about the latest releases, what we've watched and the top ten.
To find it either visit www.geekplanetonline.com and go to the link "at the movies" or jump on Itunes and search for: Geekplanet or At the movies there.
Subscribe and I'll love you for it!
The more support the better!
Friday, 10 July 2009
Review: Bruno
Year: 2009
Director: Larry Charles
Screenplay: Sacha Baron Cohen, Anthony Hines, Dan Mazer, Jeff Schaffer
Starring: Sacha Baron Cohen
In 2005 Sacha Baron Cohen unleashed Borat onto the world and it paid off....big time. Critically adored and bring in £200+ million (on a budget of £18m), Borat was a whirlwind of offense and hilarity that made Cohen a star on both sides of the Atlantic pond. When watching it I found the films satire to be incredibly biting as well as laugh out loud funny, with Cohen using a wonderful mixture of wordplay, physical comedy and intelligence to askew America's troubled views on Race, Sexuality and religion amongst other things. Sure the target was a bit broad, but the timing was spot on.
Four years on and Cohen has decided to launch another of his comic creations on to the world. This time we are given Bruno, a gay fashion presenter who wishes to become famous. Many could be wondering why the hell would this (fictional) character want to be famous in this day and age? But that's somewhat the point as Cohen has set one of his targets on the evils of celebrity. However his biggest target in the movie of course is America's views on homosexuality.
If you didn't like Borat I cannot and will not recommend this to you, as this is more of the same. I you really enjoyed Borat as much as myself, I will recommended it to you with a warning: The blades are not as sharp as before. This however, doesn't stop Bruno from being the funniest movie of this year for me. Bruno reeks of been there done that but Cohen is still fantastic at bringing out the worst in people. By playing these characters as dumb and navie, the unknowing fall guys do their best to project their own supority upon them, and it still works well even after Borat.
It's a shame however, that Bruno at times is more about shock value rather than the subverse moments that made Borat so great. A prime example of this is an ill fated trip to the middle east in which Bruno tries to make peace with the opposing forces. The scenes don't ring true and try too hard to be controversial. Cohen's movies work best when he makes simple actions that bring about the darker side of human nature. Case in point a cage match with Bruno as "Straight Dave". Cohen manages to drive these people into an anti-homosexual frenzy that only the most backward people who be proud of, only to break their hearts by showing Straight Dave being as gay as a window. To see an large man distraught because his own hate is not reciprocated is very amusing. Although I stil find an extremely pissed off Harrison Ford to be one of the best moments of the movie.
So I find it funnier than The Hangover? Yes because despite being more of the same, Bruno goes deeper than simple frat humor. Cohen shows that he's still an amazing physical comedian and is still willing to push the barriers of good taste for a good laugh. Praise also goes out to director Larry Charles who work together to craft some unbelievably cringe worthy moments. Cohen may be the comedian but sometimes Charles' choice of shots are pure gold. But the real stars of the show are of course the real people who litter the film. Bruno goes off the boil in its staged moments (and after watching Borat you know exactly what is set up and what isn't), but when it isn't....you couldn't make it up.
Despite showing a little wear and tear, I found Bruno to be a amusing waste of 80 mins. Cohen will not convert any haters of his previous works but those who enjoyed him before should not be disappointing.
Listen to my podcast review here
Director: Larry Charles
Screenplay: Sacha Baron Cohen, Anthony Hines, Dan Mazer, Jeff Schaffer
Starring: Sacha Baron Cohen
In 2005 Sacha Baron Cohen unleashed Borat onto the world and it paid off....big time. Critically adored and bring in £200+ million (on a budget of £18m), Borat was a whirlwind of offense and hilarity that made Cohen a star on both sides of the Atlantic pond. When watching it I found the films satire to be incredibly biting as well as laugh out loud funny, with Cohen using a wonderful mixture of wordplay, physical comedy and intelligence to askew America's troubled views on Race, Sexuality and religion amongst other things. Sure the target was a bit broad, but the timing was spot on.
Four years on and Cohen has decided to launch another of his comic creations on to the world. This time we are given Bruno, a gay fashion presenter who wishes to become famous. Many could be wondering why the hell would this (fictional) character want to be famous in this day and age? But that's somewhat the point as Cohen has set one of his targets on the evils of celebrity. However his biggest target in the movie of course is America's views on homosexuality.
If you didn't like Borat I cannot and will not recommend this to you, as this is more of the same. I you really enjoyed Borat as much as myself, I will recommended it to you with a warning: The blades are not as sharp as before. This however, doesn't stop Bruno from being the funniest movie of this year for me. Bruno reeks of been there done that but Cohen is still fantastic at bringing out the worst in people. By playing these characters as dumb and navie, the unknowing fall guys do their best to project their own supority upon them, and it still works well even after Borat.
It's a shame however, that Bruno at times is more about shock value rather than the subverse moments that made Borat so great. A prime example of this is an ill fated trip to the middle east in which Bruno tries to make peace with the opposing forces. The scenes don't ring true and try too hard to be controversial. Cohen's movies work best when he makes simple actions that bring about the darker side of human nature. Case in point a cage match with Bruno as "Straight Dave". Cohen manages to drive these people into an anti-homosexual frenzy that only the most backward people who be proud of, only to break their hearts by showing Straight Dave being as gay as a window. To see an large man distraught because his own hate is not reciprocated is very amusing. Although I stil find an extremely pissed off Harrison Ford to be one of the best moments of the movie.
So I find it funnier than The Hangover? Yes because despite being more of the same, Bruno goes deeper than simple frat humor. Cohen shows that he's still an amazing physical comedian and is still willing to push the barriers of good taste for a good laugh. Praise also goes out to director Larry Charles who work together to craft some unbelievably cringe worthy moments. Cohen may be the comedian but sometimes Charles' choice of shots are pure gold. But the real stars of the show are of course the real people who litter the film. Bruno goes off the boil in its staged moments (and after watching Borat you know exactly what is set up and what isn't), but when it isn't....you couldn't make it up.
Despite showing a little wear and tear, I found Bruno to be a amusing waste of 80 mins. Cohen will not convert any haters of his previous works but those who enjoyed him before should not be disappointing.
Listen to my podcast review here
Thursday, 2 July 2009
Review: The Hangover
Year: 2009
Director: Todd Phillips
Screenplay: Jon Lucas, Scott Moore
Starring: Bradley Cooper, Ed Helms, Zach Galifianakis
Synopsis is here
It's rude, crude and full of good timing. I had a despite being somewhat underwhelmed, I found myself having more than just the odd laugh with The Hangover. Movies such as this one can easily crumble on their hook alone. The Hangover is a worth while watch due to it's on the accuracy of it's comic moments, some amusing set pieces and a cast who may not yet very recognisable to it's audience. The last point being a real winner for me as we are now given a refreshingly different group of actors to befriend. So instead of your Blacks, Farrells and Rudds, we get Cooper, Helms and Galifianakis. It's a good change. The comedy remains high but the expectation of certain pratfalls and moments disappear.
In my opinion Todd Phillips does comedies relatively well and The Hangover is no exception. Like many of his other films (Old School, Starksy and Hutch) Phillips has the film on a brisk pace. keeping the laughs coming while keeping the film from going down the wrong track. It's easy for a film like this to become overloaded with pop culture references and shock tactics but Phillips keeps his cool and the film stays on course towards it's conventional (yet amusing) ending.
Phillips commands the ship well but the kudos does go to a very dependable cast who, despite having cliched roles are extremely likable throughout. Zach Galifianakis is the the supposed "breakout" role and has some great moments but it's very easy being the "weird guy". No for me the larger applause goes to Ed Helms. He has the difficult role of being the smart guy who loses his shit....and lets be honest, there's nothing funnier at times than the smart guy who loses his shit. Bradley Cooper also gets the thumbs up from me has the incredibly smug school teacher Phil. Having seen (and loved) Cooper in the excellent (read: cancelled by fox) Kitchen Confidential playing a similar character, I knew he'd carry a movie like this with ease. Cooper shows why he's been pick to be Face in the new A team movie and I fully welcome him into the role.
The films leads really make the film gel. Their comic timing show why so many "frat" films fell apart at the seams. Those three (with added support from Heather Graham and a Mike Tyson Cameo) really got me to dig the film.
With this said. I've laughed harder at other films this year. I found Drag me to Hell and Observe and Report to be funnier films. Observe and Report was funnier from a personal standpoint, while Drag me to Hell takes it's outrageous set pieces to their peak. This doesn't make The Hangover a bad film by any means but unfortunately Todd Phillips has not directed a film with a set piece as bizarre as a possessed devil goat. Tough Beak Todd.
But this brings me to why I was underwhelmed by the film. As funny as I found the film, I was surprised at the amount of restraint it has. My favorite scenes involved a taser, a young child and Zach Galifianakis but for me nothing seemed to beat that and that's quite early within the movie. I mentioned that Todd Phillips keeps the film on the right track but like his earlier comedies he fails to take the movie off the rails. For me to describe it...it's funny, but not funny as fuck. But unlike many other films, Phillips keeps it consistently amusing until the end and personally that a good thing.
I'm not going to watch The Hangover if I can watch Ghostbusters, Airplane or otherwise instead, But in a disappointing summer season which contained Transformers 2 and Angels and Demons, it was good to see something that actually entertained me.
Director: Todd Phillips
Screenplay: Jon Lucas, Scott Moore
Starring: Bradley Cooper, Ed Helms, Zach Galifianakis
Synopsis is here
It's rude, crude and full of good timing. I had a despite being somewhat underwhelmed, I found myself having more than just the odd laugh with The Hangover. Movies such as this one can easily crumble on their hook alone. The Hangover is a worth while watch due to it's on the accuracy of it's comic moments, some amusing set pieces and a cast who may not yet very recognisable to it's audience. The last point being a real winner for me as we are now given a refreshingly different group of actors to befriend. So instead of your Blacks, Farrells and Rudds, we get Cooper, Helms and Galifianakis. It's a good change. The comedy remains high but the expectation of certain pratfalls and moments disappear.
In my opinion Todd Phillips does comedies relatively well and The Hangover is no exception. Like many of his other films (Old School, Starksy and Hutch) Phillips has the film on a brisk pace. keeping the laughs coming while keeping the film from going down the wrong track. It's easy for a film like this to become overloaded with pop culture references and shock tactics but Phillips keeps his cool and the film stays on course towards it's conventional (yet amusing) ending.
Phillips commands the ship well but the kudos does go to a very dependable cast who, despite having cliched roles are extremely likable throughout. Zach Galifianakis is the the supposed "breakout" role and has some great moments but it's very easy being the "weird guy". No for me the larger applause goes to Ed Helms. He has the difficult role of being the smart guy who loses his shit....and lets be honest, there's nothing funnier at times than the smart guy who loses his shit. Bradley Cooper also gets the thumbs up from me has the incredibly smug school teacher Phil. Having seen (and loved) Cooper in the excellent (read: cancelled by fox) Kitchen Confidential playing a similar character, I knew he'd carry a movie like this with ease. Cooper shows why he's been pick to be Face in the new A team movie and I fully welcome him into the role.
The films leads really make the film gel. Their comic timing show why so many "frat" films fell apart at the seams. Those three (with added support from Heather Graham and a Mike Tyson Cameo) really got me to dig the film.
With this said. I've laughed harder at other films this year. I found Drag me to Hell and Observe and Report to be funnier films. Observe and Report was funnier from a personal standpoint, while Drag me to Hell takes it's outrageous set pieces to their peak. This doesn't make The Hangover a bad film by any means but unfortunately Todd Phillips has not directed a film with a set piece as bizarre as a possessed devil goat. Tough Beak Todd.
But this brings me to why I was underwhelmed by the film. As funny as I found the film, I was surprised at the amount of restraint it has. My favorite scenes involved a taser, a young child and Zach Galifianakis but for me nothing seemed to beat that and that's quite early within the movie. I mentioned that Todd Phillips keeps the film on the right track but like his earlier comedies he fails to take the movie off the rails. For me to describe it...it's funny, but not funny as fuck. But unlike many other films, Phillips keeps it consistently amusing until the end and personally that a good thing.
I'm not going to watch The Hangover if I can watch Ghostbusters, Airplane or otherwise instead, But in a disappointing summer season which contained Transformers 2 and Angels and Demons, it was good to see something that actually entertained me.
Subscribe to:
Posts (Atom)