Article: Doing The Right Thing

I’m starting to hate open letters. I actually think there should be an open letter to everyone about open letters clearly stating that we don’t need any more open letters. Much like constant barrage of baby/engagement/wedding photos that litter my Facebook feed, it seems that now, an open letter must be posted on the internet to try and put a stop to a particular beef or irritation. I often have no problem with the intent of most of them. In fact; I’d probably back the topic that the writer is speaking out for. My issue is that the more you see these things, like an internet petition, they slowly become more trivial. Open letters have almost become memes. You can sense the groans as yet another ask for the school board/Tory MP/Miley Cyrus is retweeted through the internet’s many tubes to your eyeballs asking for the madness to stop.

This said I found myself alerted to an open letter that made its way on my twitter feed earlier this week. The letter is from Juan Luis Garcia, a freelance designer who writes (to influential Afro American filmmaker Spike Lee) that his initial poster work for the film remake Old Boy may have been stolen by an ad agency working on the project. Legal action has reared its head and it appears that Garcia has reached out to Spike as a fellow artist to see if he can intervene in any way. The letter talks about the money that the agency has allegedly not paid Garcia, but it seems quite clear that Garcia is asking Lee to use his influence as the director of the film to see if this can be settled in a civil and respectful way.

Lee (who  appears to be Brazil working on his latest project) had this to say:

I Never Heard Of This Guy Juan Luis Garcia,If He Has A Beef It's Not With Me.I Did Not Hire Him,Do Not Know Him.Cheap Trick Writing To Me.YO
— Spike Lee (@SpikeLee) November 28, 2013

It’s interesting to see that Spike has written the tweet in-between two celebratory communications for Thanksgiving. It’s almost as if he wished to call himself out on the irony. Then again Spike as a filmmaker and a personality, has never been one for tact.

Lee has never shied away from the controversial, yet his boldness both in-front and behind the camera has been important to so many film goers. It’s difficult to find black filmmakers or critics who have not been influenced by him. I remember gaining the only words of praise from a fellow student for a talk about him during my time at university and he became an inspiration since. Further insight in his work clearly shows just how many future stars benefited from working with him in the early days. Names like Wesley Snipes, Halle Berry, Samuel L Jackson and Laurence Fishburne may never have been known if not for Lee, who cast them in his early features. If Hollywood didn’t take a chance on you, then you got the feeling that Spike would. This includes the crew, who may not have been able to get a foot in the door in “white” Hollywood. 

For a director whose politics and confrontational style have often made him tough to embrace, one would have thought that Spike would have been less abrasive to something like this. The incident feels much like the problems that aroused with Lee when making Malcolm X. When the studios and bond company didn’t give him the money he asked for to complete the film, Spike had to inject his own cash and was able to get financial help from prominent members of the Afro-American community.

We should also consider Spike’s position before Old Boy, where work on the likes of Inside Man 2 were halted and Spike himself stated that he couldn’t get projects off the ground. Now with a film hitting theatres with talk of it being one of the least “Spike” movies in a long time and a Kickstarter project which brought many mixed feelings to proceedings, the fact that Spike’s own fierce independence has again been placed under the microscope makes the situation even more uncomfortable. This designer isn’t asking Spike himself for a handout, he’s chiefly asking for empathy.

I know young graphic designers and I’m currently in a position in which I work with one. It’s not pretty. In an age in which the audience will cheerfully download your film for nothing, studios are only chiefly interested in the next comic book cash cow and the idea of working for nothing/scraps in the media is becoming way too much of the norm, freelancers are doing what they can to stay afloat. Artistic and creative careers are still being seen as flights of fancy or “phases” despite the fact that our way of life has us engaging with them even more. If Garcia is merely a chancer, leaping on to a coat tails of a hotly debated film, then shame on him. However the question I would ask is why Old Boy? The film doesn’t look to be the runaway hit some are hoping it to be. It’s a violent and bloody remake of a superb yet cult Korean film. It’s hardly a film with deep pockets.

For me, the saddest thing comes from a brief exchange from a friend (and freelance writer) who reminded me of the one other thing that none of us really wanted to bring up: race.

If there’s one thing that ignorance thrives on, it’s moments like this; a chance to sink their teeth into a perceived flaw and show the world that we’re nowhere near evolving yet. The problem is Spike seems to be more than happy to throw a bone to his enemies. Spike once again viewed the moment as a confrontation as opposed to seeing this as a chance to help a fellow creative (or even consider this to be a great PR opportunity for Old Boy) Spike’s bluntness as done little to help anyone, even himself. Yet this is the same guy who sought an injunction for Spike T.V as it sounded too much like his moniker. This is the same Spike Lee who wrongly tweeted the address of an elderly couple, thinking it was the home of George “Trigger Happy” Zimmerman. It’s almost like he enjoys casting the first stone within his just patched up glass house. It seems clear to me that Spike can easily let these things roll of his back, yet it becomes a minefield for those who love his work. Spike is still the best known American black director and at a time were black characters in film are getting shat on by ignorance, it would be nice to have Spike tone down his “sharper” elements and remind us of the statesman he often can be. After the Django debacle (another Spike moment), the one thing I would love to see is sodality, because we damn well need it.  

This of course is in an ideal world; where freelancers don’t get screwed for their work, and if they do, the at least they can reach out to a director who will hear them out first as opposed to a 140 character cold shoulder. We can only dream. Unfortunately in reality I find myself yelling at yet another open letter and liking Spike Lee to how Chris Rock feels about Hip Hop. I love him but I’m tired of defending him.

Review: The Canyons

Year: 2013

Director: Paul Schrader

Screenplay: Bret Easton Ellis

Starring: Lindsey Lohan, James Deen, Gus Van Sant (for some reason)

Synopsis is here:

Dull is not a word that I would use to describe, Paul Schrader, Bret Easton Ellis or Lindsey Lohan and yet The Canyons is a subpar piece that can only be summed up by that word. Ellis’ twitter spats; Lohan’s drug hell or Schrader’s upbringing would bring more interesting tales to our attention. What we have here is an over egged piece of softcore trash gussied up to try and be more interesting that it actually is. Don’t look at me as if I dislike trash. I remember recording Wild Things onto VHS tape. I was around when Sky Movies seemingly had all there shoddy thrillers before Channel 5 moved in. I’d be happy if The Canyons had a shred of the schlocky fun that some of those films had. Unfortunately it’s a turgid mess.

We open to a montage of disused cinemas, possibly alluding to the decline of cinema, perhaps it’s aiming at an ideal even loftier. It doesn’t matter as the film never really brings the point home. If The Caynons was able to transplant its love for architecture on to its characters, we’d have something tangible to grab on to. But what can we say about the people that we follow in this feature? Is there anything that they say or do that is worth our time? Ellis has often written about vapid, cynical people, but they've never been bland.

It’s easy to attack The Canyons for the sake of it, like so many people who do with popular celebrities that they claim to hate. But the film is truly a poorly constructed one, in a year where similarly sordid tales have been release with greater focus. I was not the biggest fan of Harmony Korine’s florescent nightmare; Spring Breakers, yet that film was at least well crafted in its execution of hedonistic emptiness. The Caynons makes even a basic shot reverse shot exchange feel like a chore.

The problem is; one can pick up on the films issues from the get go. With its limit budget, amateur actors and troubled lead actress, you get the feeling that pickups and reshoots would never be the order of the day. Far too often it feels like every shot taken is the first and only one. It certainly feels like the case with James Deen whose Bateman-lite character comes across as completely unthreatening. Deen’s enthusiasm does not match his talent and his graceless display seems to stem from a lack of direction more than anything else.  Compare Deen’s Christian to the disaffected gaze of Sacha Grey in The Girlfriend Experience and there’s a clear gulf in the quality.

But then again we’re dealing with a film in which Schrader, unlike Soderbergh, does little to play to the strengths of everyone involved. The juxtaposition of outrageousness and emptiness that looms over the work of Ellis is never utilised, while the voyeurism that litters Ellis’ works is also badly executed. But The Caynons is not really about that complexity. Its simplistic script is weak when compared to Ellis’ more popular long reads. Frustratingly, there’s nothing in the film that elevates it above its limitations.

You might have noticed I’ve said little about the films main draw, Lindsey Lohan. Mostly because there’s not that much to say. The actress has garnered praise elsewhere, but I found nothing of true interest in the role. Her face; now altered by surgery and caked with make-up captures the burnt out impression which her character needs for the role, but her actual performance gives very little. Much like the rest of the film, Schrader’s lack of control and Ellis’ poor script leave Lohan up the creek without a paddle.

  

Review: Street Fighter: Legend of Chun Li

Year: 2009
Director: Andrzej Bartkowiak
Screenplay: Justin Marks
Starring: Kristin Kreuk, Chris Klein, Neal McDonough, Robin Shou, Moon Bloodgood, Taboo, Michael Clarke Duncan

Childhood fondness of the Capcom franchise and morbid curiosity brought me to watching this. There was clearly something telling me that watching this would be a bad idea, however, but the urge was just too strong. I had to see if this was a train wreck or merely a little misguided. By the time Chris Kelin utters his first line...I couldn't stop laughing. I was laughing because of Kelin's dreadful performance. I was laughing because of the films half baked storytelling. I laughed at many things I wasn't supposed to, but one of the main reasons I laughed is because if I didn't...I would have been in tears.

Legend of Chun Li is a bad movie. It's close to Uwe Boll bad. It is a film which has the Interpol having no idea how to trace the main villain Bison (McDonough voicing his role in his best Oirish accent) but anyone off the street can merely use an Internet cafe and gather ALL the information anyone would need on him. It's a movie in which the main character "seduces" a female for information with a atrocious dance moves set to a dire gangster rap soundtrack. It's movie that has some of the worst narration this side of Blade Runner. It's a movie... I could go on.

This is a film seemingly fueled by bad decisions. Considering most causal gamers stopped following the street fighter franchise around the Alpha series, why on earth did the filmmakers consider it to be a good idea to involve characters from then? With a story so simple, why do we need Kristin Kreuk to narrate the movie for us? Why do all the actors in this film have the same dead eyed look? You know, the kind of look that someone who sold their soul would have?

It's clearly obvious a deal with the devil was made for this movie. I mean how else could a Black Eyed Pea get a gig "acting" in this film? (There must of been dealings in X-men: Origins and Nine also). Another, more important questions abound include is how on earth does Andrzej Bartkowiak keep getting offered movies? Why does he edit the shit out of his (admittedly not bad) action sequences? If these questions can be answers please...tell me.

After my review of Avatar and it's clunky script, I feel I may have to apologize. Cameron's film has it's issues but at least it's enjoyable. This...this is an abomination against action movies, a crime against good storytelling, a waste of time and effort, simply put....a bad movie.

Beyonce + Wonder Woman = Fail

I know this was a while ago but it suddenly cropped up again on our WNATM podcast for some reason...Beyonce Knowles as wonder woman.

"And it would be a very bold choice. A black Wonder Woman would be a powerful thing. It's time for that, right?"

In my opinion? No, not really. I mean it's bold getting a (mediocre) non-actress to carry a film which could become a franchise. But having a Afro-American Wonder Woman for the sake of it is WRONG. There's a few issues that make the idea of having "Foxy Cleopatra" as Wonder Woman a difficultly (one being the desperate desire to appear "hip" and "with the times" being one of them) but the one I'm going to go with is of course alienating the fans and I really think you need them on your side for a project like this.

Also I wouldn't want John C Reilly to be fucking Shaft would I?

I'm watching you Hollywood

Being black, I would love to see more roles handed out to talented black actors/actresses and I would also love a kick ass superhero/comic book style film with a black lead sometime soon. But after the whole Daredevil debacle...

They tried it before...did it work? Did it fuck

I'm sure this rumor will evaporate like the proverbial fart in the wind but while it lingers. Please for the love of God can we not have Xania from the Pink Panther as Wonder Woman.

Hear more drunken ramblings on the Geekplanet podcast

Talking about film

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Catholic League hate Angels and Demons, film not out yet

I was reading the imdb today and tripped over a news article today were Ron Howard has accused the president of The Catholic League (William A. Donohue) of leading a smear campaign against the summer blockbuster Angels and Demons.

Article is here.

I did a little bit of Youtube searching and found this:





Now I don't know about you fellow readers but watching Mr Donohue in action has led me to believe he's a little bit of an extremist to me. He also seems to be one that is missing the point of Dan Brown's book and Howard's film.

I went to the Catholic League website and found this article.

Donohue states that the details in Brown's Book are stated as fact and are wrong and rules both as propaganda.

Now anyone who has read/seen The Di Vinci code can tell that Brown's tales are no more than flights of fancy but what makes Donohue's attack on Angels and Demons so amusing is HE HAS YET TO SEE THE FILM.

I also find the last paragraph the most fascinating:

“Howard must be delusional if he thinks Vatican officials are going to like his propaganda—they denied him the right to film on their grounds. Moreover, we know from a Canadian priest who hung out with Howard’s crew last summer in Rome (dressed in civilian clothes) just how much they hate Catholicism. It’s time to stop the lies and come clean.”

Donohue doesn't state anything about this priest in any detail, yet demands the filmmakers to stop the lies...k.

Now no offence Will (can I call you Will?) but your argument to me almost feels like an archaeologist yelling about the inaccuracies in Indiana Jones. Howard is stating out loud that A&D is a work of fiction, however your catholic league can't even bring about any facts about their plain clothed informer.

Mr Howard, I'll be in line for your film and as long as it's not as not as dreary as The Da Vinci Code. I feel many other people (some catholic) will be in line too.

Street Fighter: The Legend of Chun Li: Quick Glance

As Street Fighter 4 is on the verge of being released on home consoles everywhere very soon, I've decided to have a second look at the horrendous Street Fighter movie due out near the end of the month in the U.S.



After checking out the movie blog i found myself even more disappointed. As "camp" as Bison's (or Vega depending on area) uniform is or as ridiculous as Balrog's (or Bison)boxing costume is...i want to see it. As a fan of the video game, I'm not there for realism (a such) I want to see M Bison with no pupils and Chun Li turn UPSIDE DOWN, DO THE SPLITS, HOVER IN MID AIR AND KICK PEOPLE!



For me and many fans I don't think it's too much to ask. Reason why? Comic Books are beginning to be taken seriously. Although the market is being saturated with graphic novel after graphic novel, 2008 was pretty much own by one film: The Dark Knight. A film which managed to keep the tone and spirit of the comics, have a hero doing outrageous things without looking stupid as well as break box office records and garner a shed load of critical and commercial acclaim.

I still believe this can be done for the video game film, with adaptations such as Hitman and Silent Hill displaying that the cross over could happen but at a snails pace. But not when the filmmakers show so much disregard for the fans they say the make the film for. True I have only seen the Trailer and read the blog (with it's feeble excuse of why your favorite characters are missing) and there's still the matter of me actually seeing the whole movie.

But a trailer is supposed to draw you into putting your hard earned cash down into watching a movie and by creating a film that has no feel of a street fighter game in any sense of the word (oh there's a hint of a fireball near the end of the trailer) will only cause those in two minds to most probably steal the film illegally.

Reading an issue Sight and Sound today had a review for Transporter 3, the magazine stated that with all the Bournes, Bonds and Batman striving for realism, Transporter becomes strangely endearing. I found myself thinking about Transformers and realizing that Micheal Bay's toy movie manage to do a similar thing with a lot of people. Although I hated it, I still respected Bay's cynically clever abuse of childhood nostalgia which gave the movie alot of it's praise. Maybe if the filmmakers looked more towards the absurd and the loony aspect of a Fighting Tournament people would warm towards it a lot more.*

* After more research I found out that the filmmakers are basing the film on the street fight alpha series. If your scratching your head and asking yourself "wha?" It's a series of SF games which came out after SF2 but is based on events which happened before it. While this may explain away some of my incessant moaning, it doesn't give good reason to why the drastic change of tone.

Duff and Cera: A Satanic Couple.

So reading the Internets and catch a headline about Hilary Duff mouthing off to Oscar winner Faye Dunaway. Reason? Dunaway rues the day that Hollywood can't a real actress for the remake of Bonnie and Clyde. A film which Duff is rumored to be starring in. Duff's response: "I think that my fans that are going to go see the movie don't even know who she is," and "I think it was a little unnecessary, but I might be mad if I looked like that now, too."

My first reaction.....They're making a remake of Bonnie and Clyde? What the motherhell? Which fucker said yes to this? I delved deeper into the production and couldn't believe what what i saw.

Now Bonnie and Clyde was one of the biggest shake ups for Hollywood. Do the google thing and you'll see. Selected to preservation in the National Film Registry, noted for being one of the premier films to change the attitudes of sex and violence to American cinema, loved by the critics and the geeks the world over. Now it's a star vehicle for Lizzie "fucking" McGuire? While the 1967 wasn't the first tale of the Depression era duo (or the last with a T.V remake starring that guy who played Bobby in Twin Peaks in 1992), but there's a nasty cynical feeling I get about this MTV-esque remake with Mickey Mouse club cast (seriously check out the guy they got with Clyde Barrow). Are we really gonna see that bird from "cheaper and the dozen" get killed in a hail of bullets? "Sounds Great."

As for the "war of words" Just because your starring in a few dramas for your next projects don't start bitching at Award Winning Good actresses because your young. As for Faye? She should know better. I mean come on! You've done some excellent work now so just watch the sun set while Hollywood eats itself.

My Other Beef is Micheal Cera being a cock knocker and starring in things like Extreme Movie and not signing up for the Arrested Development movie. I was going to say more but fuck it. Just Fucking do it. It made you famous and gave you options. Don't be a dick. Superbad doesn't always strike twice.

Christain Bale is insane...and I LOVE IT!

More evidence that Christian Bale has lost his mind came up this week. After allegedly assaulting his mother last year, a four minute taped rant surfaced of Bales "antics" towards director of photography Shane Hurlbut during the filming of Terminator: Salvation. The rants has been said to have taken places a few days before his 2008 arrest. This says to me Bale was under a a shit load of stress. No excuse for chewing out the film crew...but hey....he's the goddamn Batman.

Anyway....

The reason why I love the fact that Bale is slowly going batshit insane is due to the fact that THE BEST ACTORS DO! From Brando to Kinski, all the great actors are mental, intense nutcases who are one coin flip away from killing someone. I expect that from actors, if your not...your not doing it right.

In fact in listening to the rant (until near the end where Christian is just fucking harsh) I understand what Bale is getting at. As angry as he is, the scene should have been finished before anything needs to be done. Also...alot of filming is waiting so long did the scene take to set up?How many takes were there before? How long were the actors waiting before the scene was ready? What time of day was it? While Bale and his rant was hilariously unprofessional, as an method actor who fully takes his role into himself (note he speaks in an American accent, he's welsh) so if he's in the zone and is hitting the right notes in the scene, I could see that being really annoying.

To add to this the reason I love it the most is.....Bale will more than likely deliver a kick ass performance because despite being mental he's that damn good. Also if he didn't go apeshit we wouldn't have been able to get this:




But as a counter point: Really? Leaving a film because a guy screwed up a couple of times? Get off your high horse you fucking diva, intense you may be but you ain't got no Oscars yet buddy, the guys just doing his job, i'm sure when you flubb a line people get pissed. Fucking prima donna.


Bet none of this shit happened on The Prestige:

Pictured above: A troubled man, happy with lights.

Dynamic Duo

What a movie idea! I mean really, I'd never of thought of it. Hayden Christensen and Paul Walker in a movie together!?!?!? Amazing call off the 2009-10 Oscars! Because Bone Deep (Yes the name of the film) will win everything and break records


What the Fuck? When I first read this I thought it was April Fools Day and I fell into a time warp when I got off the tube. Who'd the fuck would want to see this? The article where I found this atrocity even tries to place these "actors" in a good light!

"Walker was actually pretty good in fare like Running Scared and Roadkill, and seems to do pretty well when he’s not just being a pretty boy with rock-hard abs. Christensen, of course, is still struggling to escape the Star Wars type-casting tag, but he showed promise in Shattered Glass, so let’s hope that is consolidated here."

Hummm... That's far too much praise for a couple of good looking yet underwhelming actors (Good Roadkill and Running scared shouldn't be in the same sentence). But I'm sure director John Luessenhop (director of little seen independent Lockdown) will give these two jokers plenty of screen time to gaze blankly at each other.

Bond has license to kill taken away...or something

Wanted to laugh while looking at this piece of "news". Basically for those too lazy to read the link...

Their are complaints about Bond holding a gun on the new posters of QOS (I'm not putting the full title up, it does sound silly then again...octopussy?).

Now Censoring films is one thing (bonds had headbutts taken out of films in the past) but the idea that the worlds most famous fictional spy isn't allowed to walk around with a big fuck off machine like he owns the place is near sacrilege.

I'm kinda sick and tired of people trying to control everything that we see and/or do because it might "harm the kids" etc. I mean I've watched all sorts of films filled with various degrees of killing all my life and the only violence I want to unleash is to ass clowns to wish for it to be banned. Now they wish to move onto NON MOVING IMAGES.

I'll have a word with Spielberg see if he'll put in a walkie talkie for them. Below is a poster done over 40 years ago when kids could tell the difference between poster and fucking reality.

Seriously?

Checked out the cool little blog site Cinema Suicide and had a look at a news article that I tried to ignore before but had to bitch about. Bloody Disgusting Article.

Why the hell is I spit on your grave aka day of the women aka piece of shit movie being remade?

To those who have never seen or heard of this infamous B-movie here's the story. A girl is writing a book at a log cabin. Three wankers come along and rape her (for ages). They laugh about it. The girl takes revenge. Oh and one of the guys penis gets chopped off...

That's it....oh and it's not filmed very well

The rape revenge a sub genre that can be extremely exploitative, but also one that when done correctly can provide intriguing and extreme viewing when done right. If the film deals with it's morals and theme's correctly then you have an interesting piece of film. Many cinema goers love to investigate the grey areas that can lie within such films.

I spit on your grave does fuck all in terms of interest (amateurish filming, shit actors, crap dialogue...etc) and is extremely exploitative. Some have tried to argue against it...but really? I think the director (Meir Zarchi) knew what he was doing when he made it. I mean who Else's' film has the grand-niece of Buster Keaton being raped and sodomised? Good times.

Why a remake? Gasper Noe has already done this material better, with actual themes, better actors and an actual point 6 years ago. Just re-release that?

"Nope we gotta take an old badly made film remake it with Hollywood gloss and give rape to the kids"

Well played guys.